2011-12 season

Bradford Cover and Dan Daily
Rosmersholm, 2010
Photo by Gregory Costanzo
Janie Brookshire and Kern McFadden
The Misanthrope, 2011
Photo by Jacob J. Goldberg
Sean McNall and Scott Greer
Wittenberg, 2011
Photo by Sam Hough
Dominic Cuskern, Rachel Botchan, and Chris Mixon
The Sneeze, 2010
Photo by Gregory Costanzo
Carol Schultz and Matthew Amendt
The Subject was Roses, 2010
Photo by Sam Hough


The Bald Soprano
By Eugène Ionesco
Performances begin September 13, 2011


Meet the Smiths. They live in a typical house on a typical street, cheerfully entertaining typical friends and typical neighbors . . . in a world that’s anything but typical. Eugene Ionesco’s game-changing absurdist comedy, tumbles us into a bizarre and brilliant comic universe, where time is out of joint, language has misplaced its meaning, and identity itself is up for grabs.
Richard II
By William Shakespeare
Performances begin November 8, 2011

If you tear down a world, what do you build?
If the thing you were born to be is ripped away, what do you become?

Corruption, ambition, and greed stalk the nation—and threaten to destroy its future. In Richard II, Shakespeare chronicles the shattering fall of one king and the meteoric rise of another in a raw and powerful tale of a country—and a soul—in chaos.
 
The Philanderer
By Bernard Shaw
Performances begin January 10, 2012


Leonard Charteris has two big problem—called Grace and Julia. He can’t quite win the heart of one or break free of the other. And he’s fairly sure it’s all Henrik Ibsen’s fault. Bernard Shaw’s pert and playful satire serves up a wise and wicked portrait of the perilous joys of love in a modern age.
A Moon for the Misbegotten
By Eugene O'Neill
Performances begin March 6, 2012


They meet on a barren patch of earth, in the ghostly glow of an autumn moon. The jaded James Tyrone is on the edge of despair; the fiercely passionate Josie Hogan is lonely beyond endurance. But on this night, under this moon, hope sparks between them. In Eugene O’Neill’s bittersweet elegy, two wounded hearts experience the power of redemption—and the saving grace of love.

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